21stMay2014
Matthew stone is an artist that I came across when researching magazine styles for my editorial shoot, I saw some of his photography demonstrated in Dazed and Confused magazine and found it really interesting. produces objects, photographs, exhibitions, performances and social events advancing the proposition, quoted in a gallery news release, that optimism is “the vital force that entangles itself with and then shapes the future.” His photographic-sculptural hybrids illustrate that thought literally. They consist of muted photographs of entangled, youthful, nude bodies printed on plywood panels, which have been cut into triangular sections, reassembled with hinges and displayed as folded constructions. Stone takes 2D images and translates them into “3D photographic sculptural forms”, He uses his prints in an unusual way by transferring them onto fabric and geometric sculptures. In his series of work that interests me greatly “Optimism as cultural rebellion” he demonstrates experimenting with abstracting the human form “I like the idea of trying to make something that has some solid ground, but then has the potential to move. I like the idea that it is almost impossible to re-install the work in exactly the same way.”
Matthew stone is an artist that I came across when researching magazine styles for my editorial shoot, I saw some of his photography demonstrated in Dazed and Confused magazine and found it really interesting. produces objects, photographs, exhibitions, performances and social events advancing the proposition, quoted in a gallery news release, that optimism is “the vital force that entangles itself with and then shapes the future.” His photographic-sculptural hybrids illustrate that thought literally. They consist of muted photographs of entangled, youthful, nude bodies printed on plywood panels, which have been cut into triangular sections, reassembled with hinges and displayed as folded constructions. Stone takes 2D images and translates them into “3D photographic sculptural forms”, He uses his prints in an unusual way by transferring them onto fabric and geometric sculptures. In his series of work that interests me greatly “Optimism as cultural rebellion” he demonstrates experimenting with abstracting the human form “I like the idea of trying to make something that has some solid ground, but then has the potential to move. I like the idea that it is almost impossible to re-install the work in exactly the same way.”
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(Imagery taken from art shaman blog, post about Matthew Stone, Series of work Optimism as cultural rebellion)
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25thMay2014
I am really interested in displaying my work in an unconventional way so that the idea is turned into something completely different, I want my final piece to not only be beautiful, but I want it to intrigue people and have a thought provoking sense to it. Ive enquired about using a projector for my final piece, but it seems that my idea is too time consuming and ambitious for the time and space we have. Now that the projection idea isn't possible the combination of the projections and Stone's work seems more achievable. Before moving on to a final idea I tried experimenting with alternative ways of displaying some sort of projection. I filmed a piece of fabric on my washing line blowing in the wind. The fabric had an identical image of my final photography on it, so in order to demonstrate how the projection would look I edited the film and the still image together at a 50% opacity. The imagery and film works really beautifully together once slowed down, it has an angelic elegance to it. I initially used ballet music with the moving image but soon after realised it didn't have much relevance to my initial concept of contrast. In order to relate it to my work with more relevance I added a personal touch to it. I edited together snippets of audio from one of John L Gardners fights. This soundtrack seemed to work much better in my opinion due to the obvious contrast between elegance and masculinity. It also added an obscure nature to the film, beautiful, floaty, angel-like imagery accompanied by the sounds of cheers and punches, which I think is a unconventional and less obvious choice. Although the idea of projecting the moving fabric onto a still image is not possible for my final presentation, I am still really interested in capturing movement in one more dimension other than the overlapping photography. After looking at the work of Mathew Stone and adamant I incorporate this third dimension, I came up with an idea that could potentially work. I decided to put the fabric used in the film to good use. Instead of solely creating a sculpture or creating a projection of movement, I thought of combining the two ideas and creating a 3D image that had an element of sculpture and projection. I began to think of aesthetically pleasing ways of doing this. I thought of photographing the material gathered on top of the image creating a second overlap. But then I came up with the idea of strategically pinning the fabric onto the image to create a more 3D, waterfall-like aesthetic. As you can probably imagine this concept proved difficult to achieve. I mounted my image onto MDF board and began to place my fabric over the top. Of course when lying down the fabric has a very different quality to when lifted up horizontally. So after pinning my fabric down once, I had to then remove the pins, stand the board up and start again. I managed to cover up the majority of the holes created by my first attempt. Other than a few minor problems with creating the final presentation, I am really happy with the final outcome. I think that it translates my initial idea of contrasting masculinity in boxing and the not so obvious feminine/elegant side to it.
(Authors Own, Small films representing idea for presentation)
